I got a couple of these cameras from folks getting rid of them now that COVID is in the rear view mirror. Seems ICI charged an arm and a leg for these when they were new but can be had rather cheaply. Finally got in and was able to change settings and record video, here is the process I used, I have the "type 2" model Fraser mentioned with the integrated cable.
Point web browser to
camera IP: 192.168.1.102The default login credentials are:
User Name: admin
Password: Admin123 (I doubt many users would reset this, not a security device exactly)
From there, in Internet Explorer (and I believe other browsers supporting the VLC plugin) you should be able to view both feeds under the preview tab. In all browser though, you can change the configuration settings and the viewing pallet, these settings appear to stay set after reboot. You can also change the frequency of auto NUC, or turn it off completely (image will get rather noisy after a few tens of seconds).
Video feeds can be viewed alternatively captured as RTSP streams at the following addresses (thanks to Arsenio for this info!), in VLC as a network stream or many other ways:
IR feed: rtsp://192.168.1.102/ONVIFMedia
VIS feed: rtsp://192.168.1.102/ONVIFMediaVLC can record as well which makes it quite handy for this.
The manual provided by ICI (can be found here:
https://f.hubspotusercontent10.net/hubfs/20335613/Product%20PDFs/Product%20Manuals/ici-skin-temperature-monitor-software-manual.pdf) includes a link to a firmware updater for this camera (file is here:
https://www.dropbox.com/s/v84t1sbyyhr1o9q/Firmware_20200826.zip), I believe when the camera originally shipped it only worked with the Dali Tech "InspectionQuarentineSystem" software, and eventually ICI made the "ICI Flash STM" software. Interestingly, I have a copy of the standard ICI Flash (non-STM version) and it does not support this camera either, it seems.
One thing I have noticed about the ONVIF output, changing framrate and bitrate settings do not seem to actually have any effect. Also, there appears to be less compression when using a pallet such as Hot Metal (a sort of orange gradient) vs the monochrome White Hot or Black Hot, which are usually my preferred pallets. The upside of Hot Metal vs one of the rainbows is that it still is a luminance gradient, so you can take recorded footage and convert it to monochrome and luminance will be correctly preserved (if with a slight gamma curve applied).
Next step is to poke at the analog output. These are quite nice little cameras, very interested to see what backpack you put together Arsenio!