Hmm but why the sudden change @ 100 ms/div. I would expect a more gradual dimming.
The acquisition/display engine is working differently at the slower timebases. You can see that when you're at <=100ms/div, the entire waveform is captured before being displayed (i.e. all decimation is done), but when at >=200ms/div, it is displaying the waveform AS it's being captured (i.e. decimation done on the fly - thus not being affected by subsequent captures).
The Rigol's do intensity grading based on BOTH vertical and horizontal overlapping from sample to display memory. When displaying on the fly (anytime you're running at >=200ms/div), the overlapping (and thus, grading) will be different since it won't know beforehand the upcoming samples. This is true on the DS1000Z too, but because it's not really doing 12-bit averaging, you don't see the intensity difference caused by the missing (averaged) samples when displaying on the fly.
EDIT: BTW, this could explain why Rigol doesn't do true High Res on the DS1000Z: because people complained about the dim waveform on the DS2000 when using it at >=200ms/div, so instead of finding a workaround, they just crippled it on the DS1000Z.
I suspect it's either that - or the engine is just not fast enough for it.