Thank you for your "corrections".
I'm not obviously as old as yourself and don't know the exact form of the Australian market at the time we are talking about. Also the comments were not directly specific to Australian TV production and I haven't been able to find evidence of legislation in Australia that ever suggested there was a ban on AC/DC equipment.
The evidence is that European manufacturers decided that the saving of a few coins were worth the exclusion of the transformer in these designs, over and above any perceived safety considerations.
Also I didnt say that there were any pitch, or, wax impregnated transformers made in Australia, but these did exist in other areas of the world markets, and I'm doubtful that it was not the case in Australian manufacturers output, synthetic insulation is a relatively recent introduction worldwide, early 1950's onwards perhaps. Naturally occurring lacquers rubber, beeswax and pitch were the only material available historically.
Again I'm sorry for any offence caused, it was only a commentary on the techniques used based on evidence of historical designs, not a slight on the choices of Australian manufacturing materials or practices.
No offence, but some of the material purporting to be historically correct needs to be taken with "a grain of salt".
Lacquers were pretty much the universal choice for power transformers, at least from the 1940s on, initially natural, but later artificial.
I have worked on TV broadcasting equipment from Marconi, made in the 1950s, & there was nary a sign of beeswax, rubber, or pitch in any of their power transformers.
The 1930s radios that I have seen also used lacquer insulated power transformers, not much different to their 1950s successors,but it is possible there were others that did not survive.
The only place I have seen beeswax is in inductors operating at much lower power levels & often higher frequencies.
Thank you for this.
Natural shellac was not particularly durable, (hence potting in wax, or pitch also done for mechanical stability) nitrocellulose is a low order explosive, and also toxic so it wasn't ever really a good follow on to shellac.
When it caught fire it did properly, and the fumes were unpleasant at least.
Both were usually preserved and fixed with wax or pitch as the lacquers were often viewed as too expensive for impregnation... the TV and radio industries in Europe and the UK weren't protected against imports, costs were cut and so was quality in a lot of instances.
Things did get better with the introduction of polyurethane enamelled finishes but that was all 50's onwards.
I really can't comment on Marconi transmitting equipment as I have no experience, it obviously had to be built to a much higher standard, but consumer equipment having waxed craft paper interwinding insulation in transformers I have: in some instances in equipment that was so produced as late as the latter 1960's. A hybrid SABA CTV frame scan output choke I had rewound for a vintage TV enthusiast as a favour was probably polyurethane wire enamel but its mechanical potting was definitely craftpaper/beeswax.
You would be quite correct saying that I don't know fuck all much about the Australian electronics industry but it seems that you seem to think my comments were all directed at Aussie consumer electronics policies and production methods, which it was not.
You commented:
...some of the material purporting to be historically correct needs to be taken with "a grain of salt"...
Quite so! So why then post this?
One exception was Ekco, who unsuccessfully linked up with Oz firm AEI to build & sell both TVs & AM Broadcasts Radios in the Australian market,during that brief foray adopting the local standard transformer-type architecture in both cases.
The early EKCO sets made by AEI all had live chassis.
Here's an Australian POV on the question...
https://www.cool386.com/ekco_tcx298/ekco_tcx298.htmlRegards,
Xena.