Oh yeah. no special cables, no magic rocks, no wooden knobs to avoid adding 'color' to the sound, just solid engineering.
One thing I really learned from this video is that in a complicated system like a mixer ground is GROUND, something substantial and (hopefully) noise free where parts are connected together by thick copper straps. Everything on that ground bus is therefore at 0,000 volts DC and AC.
I was a former audiofool in my younger days. When I got into professional sound reinforcement and recording my eyes opened to reality. Even in multi-millin dollar studios, I could not find the ridiculous pseudo-science found in high-end consumer audio. It was very deliberate and clean electronic designs that were very carefully system integrated. Lots of attention paid to clean grounds as stated earlier. Most studios had a technical ground that was far away from mechanical - air conditioning and lights, etc. Microphones had some amount of mystery and voodoo in the marketing, followed by pre-amps.
In live sound, durability, flexibility, etc were dominant design drivers. Audio quality needed to be good, but not exotic. Anyway, my views formed from ridiculous audiophile magazine articles quickly faded. I also learned that the last thing that I wanted my music to sound like is what it sounded like in the studio. The engineering goal in a studio is to get a flat mix with reasonable dynamics so that it sound reasonable in as many environments as possible - home, car, headphones, cassette, CD, LP, etc. I always tweaked my own playback systems to sound the way I like, not some super flat Urei coaxial time aligned studio monitor with Yamaha NS10's as the shit reference.
I like music and great quality playback - but the audio foolishness makes me laugh every day.