No doubt the colour grading display is useful in some circumstances,but in my opinion,a line rate video signal is not a good test of this facility,as for this waveform,colour doesn't provide any significant improvement compared to that from a conventional DSO display
I guess you haven't been following the discussion. This wasn't, in any way, a demonstration of when or where color grading is useful. The image was merely intended as an illustration of the extra detail visible with more levels of grading - and it was just an image I had handy to convert to 64 / 16 levels of color grading. Whether you, personally, think the extra detail visible with 2 more bits of grading is 'significant' - is another matter.
And,
I guess you didn't really read my comment.
My point was that a line rate video signal was an unfortunate choice of image to use as an example.
To someone who has spent a long time (too long!
) looking at these waveforms in real life,neither display is useful,with the colour grading simply adding another level of obscurity to the presented display.
What you are normally interested in,are:
Burst shape & amplitude.
Blanking duration
Sync pulse duration,amplitude & rise time.
Chroma amplitude---excessive chroma information below the blanking level may be affected by sync pulse
amplitude adjustments,causing colour errors.
All of this information is presented,if poorly,in both the 16 bit & 64 bit examples.
The only obvious difference is in the actual video information,where the 64 bit example looks closer (not close,but closer) to an analog display.
I reiterate,my comment was upon the choice of example.